故事發(fā)生在一座位于英格蘭的小鎮(zhèn)之中，康斯坦斯（拉娜·特納 Lana Turner 飾）在經(jīng)歷了紛飛的戰(zhàn)火之后終于回到了自己的故鄉(xiāng)，她準(zhǔn)備在這里好好地療愈一下疲憊的心80s。雖然小鎮(zhèn)表面上是一副風(fēng)平浪靜歲月靜好的模樣，但實(shí)際上，小鎮(zhèn)內(nèi)部的權(quán)利中心早已經(jīng)爛透了。在明媚的陽(yáng)光之下，無(wú)時(shí)不刻不發(fā)生著丑陋而又骯臟的勾當(dāng)，權(quán)利、道德和法律實(shí)際上壟斷在了有錢(qián)人的手中，他們不容許任何人侵犯這份自私的財(cái)產(chǎn)?！　∫粓?chǎng)謀殺案的發(fā)生將艾莉森（黛安·瓦西 Diane Varsi 飾）、賽琳娜（霍普·蘭格 Hope Lange 飾）等人被卷入了權(quán)利旋渦的中心。

80sDeserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb